There are people for specific characters, for the fluidity of those same characters, for backgrounds, for vehicles, for buildings, for just about everything that you see on screen. Animation teams are responsible for the magic that appears on the silver screen and they are enormous. ![]() How does one person do all of this you may ask? Well the answer is that they don’t. Now take that and multiply it by 90, and you have a feature length film. That means that just a single minute of animation can be up to 1,400 separate pieces of paper, each with a unique drawing plastered on its surface. The typical traditional animation in its prime ran at about 24 frames per second, aka 24 drawings per second. The various styles had a fluidity and colorful spirited feel that spoke directly to me as a child and that still speaks to me today, partly out of nostalgia and partly out of my current appreciation for the process of those films. The Prince of Egypt, Road to El Dorado, Treasure Planet, Tarzan, the list goes on. It used to be that someone would draw each individual frame for animated films and tv shows, and while that time seems to have passed from modern animated films, I’ve always appreciated the traditional 2D animated films that I ended up growing up with. With drawing tablets, art specific software, and the whole process of 3D modeling, animation has in fact become a quicker and easier process than the days of tracing paper and angled tables. ![]() In the field of animation, the technological age has certainly revolutionized the process one takes to bring a cartoon to life.
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